I'm Lovin' You Now
I can feel your love
Out here on the road
Miles and days away
From the heart I call my home
I'm lovin' you now
I'm drinkin' you in
I'm holding the wheel, but it's you that I feel
Like we’re together again
I'm lovin' you now
I'm drinkin' you in
I'm counting the days, imaginin' ways
When we’re together again
But till then, you know I’m lovin’ you now
Love’s unbroken thread
One heart made from two
Street lights turning red
On a slow road back to you
I'm lovin' you now
I'm drinkin' you in
I'm holding the wheel, but it's you that I feel
Like we’re together again
I'm lovin' you now
I'm drinkin' you in
I'm counting the days, imaginin' ways
When we’re together again.
But till then, you know I’m lovin’ you now
Some say it’s the drive
Not the destination
But ‘till I’m by your side
This is my only consolation
(c) 2009 - David Brownstein/Fish Hook Music/BMI and Jeff Wessman/Jeff Wessman Music/BMI.
Shadow to the Sun
Took my shadow to the sun today
Shining the light in a different way
Little girl won't come out and play
See me hide, watch me run away
When I don't see you I feel the shame
I am abandoned, wounded and lame
I walk away, run from my pain
Rather than face my self-inflicted wounds, I'll go insane
Keep myself busy, filling the hole
Of loneliness and sadness, the void inside my soul
I keep on running, and smiling on and on
I keep on pushing and denying, all my dreams until they're gone
Run by my reactions in pursuit of your applause
Watching all your actions I assume I am the cause
You're the main attraction I'm a clown in your sideshow
You I'll follow blindly till you tell me where to go
Over and over, locked out from the game
Standing in the shadows, freezing in the rain
Lost without a target, flash without a spark
Arrows falling, demons calling
Screaming in the dark, in the dark
Run by my reactions in pursuit of your applause
Watching all your actions I assume I am the cause
You're the main attraction I'm a clown in your sideshow
You I'll follow blindly 'till you tell me where to go
Was a time when I could feel it all
Once upon a time I let it in
Will there be time for me to blow away the pain
Of the noise and lies and garbage I believe?
(c) 2009 David Brownstein - FIsh Hook Music. BMI.
Sticks and Stones
You and me
In a crowd alone but free
And suddenly you’re dancing close in front of me
Yes it’s true
We’ve got a billion things to do
But tonight our time together’s the emergency
Sticks and stones can build a home
And a word can warm my heart
A spark, a flame, a fire that lights the night
But sticks and stones can break my bones
When your words tear me apart
And burn to ashes, everything in sight
Sticks and stones
Winter moon
Trail of incense lights the room
Gentle hands that squeeze the flow of dreams
From their hiding place
Skin on skin
Your mouth draws me in
With no words to shape
The open space I find you in
Sticks and stones can build a home
And a word can warm my heart
A spark, a flame, a fire that lights the night
But sticks and stones can break my bones
When your words tear me apart
And burn to ashes, everything in sight
You fell asleep a newborn child
But in your dreams those flames ran wild
You tossed and turned remembering
The loves gone wrong, the broken wing
Your heart’s no longer free, now you blame me
Poison pen
From your dragon’s hand again
Now my picture’s turned around and I’m shot down
Live and learn
In the end my bed still burns
Can the hurts we hide be purified some other way?
(c) 2009 David Brownstein - Fish Hook Music, BMI.
DAVID would like to say:
The Alchemy of Love is about how relationships transform and forge us to learn whatever we need to get to our next lessons or life experiences.
I began writing these songs after my experiences in the Mankind Project’s New Warrior Training Adventure in 1996. I’d somehow known all my life that someday I’d start writing songs but was to afraid of what people would think if/when I began to reveal what was really bubbling up inside. After the New Warrior weekend I realized that for me, self-disclosure was it’s own reward and that what people thought of me was none of my business.
So these are the songs I wrote once I started to let those words out.
In the beginning Chris and I decided to create an instrumental, down tempo groove, electronic record that was tentatively titled “Between Something and Nothing” to reflect how ambient electronica was interesting atmospherically, but not engaging or distracting enough to stop someone from writing or reading. Porch Fire, Groove Garden and Mirror, Mirror set the tone for what was to be the album’s original direction.
Soon, with the discovery of Ableton Live software, we began remixing and re-imagining songs we’d recorded earlier with our band, Blood Sugar. These songs include, Shadow To The Sun, Rain and Quintessence. We then decided to remix Chocolate Neon Lite that I’d recorded with Drea in my Venice apartment and Sticks & Stones and I'M Lovin’ You Now that I’d had Travis Allen produce as Nashville tracks. This Song is Not About You I’d written when we had the Blood Sugar band, but never played as a band, and Acceptance Speech was written after I was featured in the New York Times article about life coaching in Hollywood. Acceptance Speech seems to sum up the process of “accepting myself” as a songwriter, musician, artist, coach and a man: joys, fears, doubts and all. Please sing along on the chorus if so inspired.
And I Would Like to Thank:
The Beatles, Frank Zappa, Led Zeppelin, Blue Cheer, Bob Molay, JB Brown, Peter Casperson, Harriet Schock, The Mankind Project (mkp.org) Human Awareness Institute (hai.org) No Hands, Food, Dan Gold and The Invaders, Chris Miller Band, St. John, Amy Denio + Tone Dogs, Mackhand, The Greyhounds, Chillie Willie, Rods + Cones, Poison Dollies, Jason & The Argonauts, The Singles, Blood Sugar, Lothar Segelar, Rob Dimit, Bob Ludwig, Bob Stone, Bomb’s Aren’t Cool, Pick Up Sticks, Second Story Television (Jill, Ginz and Eug,) Jeff Wessman, A Course in Miracles, and Bota.org.
All the musicians, engineers, mixers and studio cats I learned from in NY, Boston, LA and SF. To all the muses, inspirations and triggers: Carol, Jennie, Celia, April, River . . . and more!
A big shout-out to my longtime collaborator and partner, Chris Houston. Thanks for playing!
My mom and dad for piano lessons, trumpet lessons, guitar lessons, life lessons and the ongoing gift of music which runs through us all.
CHRIS would like to say:
For me, "The Alchemy of Love" is the result of a performing/composing collaboration David and I began 25 years ago, put aside, and then rediscovered when we both found ourselves in the Bay Area.
When David moved to LA, we began a long distance process shaped by numerous phone calls and countless web exchanges. Leavened by face-to-face weekends, these songs took shape and grew. Lyrics prompted sound design choices, a collection of loops and phrases congealed into a grooving structure.
Though my profile is grounded primarily in jazz and classical theory, these songs called for a simpler, more direct approach. Gradually I discovered delight and satisfaction in finding a compelling instrumental sound, a unique texture.
In general, David built the house, the song, I responded with a bushel of backing tracks on synths and samples, the decorative elements. It was like playing in a musical sandbox.
In the end, David's mixes pulled it all together. These tracks are the fruits of a long friendship. Many thanks.
Executive Coach for Hollywood Leaders and Creative Business